El Niño, Downtown Los Angeles 1966 - age 3.

El Niño, Downtown Los Angeles 1966 - age 3.

Sunday, December 18, 2011

A very Heavy Metal Christmas in the "90027"


Found photos of a Heavy Metal teenage drummer circa 1977.



When my family lived on Bates Ave in Los Angeles there was a row of bungalows behind our house that sat on a steep incline overlooking our driveway and King Junior High. These tiny 1926 Spanish bungalows would attract actors, musicians, artists and revolutionaries back in the 1970s and 1980s and probably still do today. One of the residents of these bungalows was Rick, an actor who once spent a Christmas Eve with my family as he had nowhere else to go. We welcomed him into our home and he sang "Silent Night" with us at Midnight. He was a casual pot smoker who would sometimes sing “Home Grown’s alright with me, Home Grown’s alright with me, just put it in the grown and let it be”. A couple of years ago I ran into him at Druckers' Jewellery Shop on Vermont. I had not seen him since the late 1970's but I immediately recognized him. I asked him if he remembered that "song" and he belted out the lyrics without missing a beat, but could vaguely remember me and my family. Another memorable resident was a quiet female impersonator that would take the bus from Silverlake to Studio City to perform at the now defunct Queen Mary Cabaret on Ventura Blvd. I once found myself riding on the 81 Ventura bus as he sat across from me. He was very pleasant and chatted with me briefly about the neighborhood and the noise from the Junior High School that kept him awake while he was trying to sleep during the day and then quickly exited the bus on Whitsett Ave in front of the Cabaret. The most famous resident from these bungalows was rumored to be one of the Black Eyed Peas in the early 1990s who was also a John Marshall HS alumni. However, the coolest person that lived here was a Jewish musician from New York named Stuart. He lived there around 1977 or 1978 and his drum set took up his entire living room. He was in his mid-twenties and could pound the skins like John Bonham and Keith Moon combined. Despite our age difference, we became fast friends and he would often talk shop with me about the music business such as his ambitions to be a music producer one day. He lived there a very short time, probably less than a year and he got along well with my parents despite my sister having a wicked crush on him. When he moved out, it was around Christmas time and he left us with a few gifts. Most notably a faux rock garden with a water pump that he had in his front yard. My mother went on to use this rock garden in her Christmas Nativity scene for the next 25 years (don’t ask !). The rock garden still exists today and it sits lonely in retirement in my garage without a Nativity scene to compliment anymore. He also left me two giant posters. One was of an early pre-Tawny Kitaen version of David Coverdale’s Whitesnake and the other was a giant Led Zeppelin poster that hung in my room for years. I still have that Zep poster rolled up and sitting in storage. The corners are dog-eared and are loaded with masking tape residue but it still has its Rock N’ Roll mojo. I unrolled it a few years ago and recalled Stuart rocking on the drums in the back of our house from one of those tiny bungalows on Bates Ave in Silverlake. Wherever you are Stuart, “It's been a long time since I rock-and-rolled, It's been a long time since I did the Stroll, Ooh, let me get it back, let me get it back, let me get it back……”

(A note on these snapshots. These photos are not of the actual Stuart. I came across them one day while shopping on-line for old photos. It features a heavy metal teenage drummer with the exact Led Zeppelin poster that Stuart gave me and for kickers its during Christmas time ! Needless to say, I was pleasantly surprised and bought them both)

Wednesday, September 7, 2011

Greetings from Eagle Rock

Eagle Rock 1924. From an old photo album of vacation photos.

Eagle Rock is a wonderful old neighborhood located along the northern boundaries of Los Angeles and adjacent to its more famous and iconic neighbor, Pasadena. With its postcard picturesque hillsides, vintage craftsman homes and the towering palm trees that line Route 66, it is no wonder that Eagle Rock has been used for numerous television and film locations. Marty McFly from the Back to the Future films would have been a natural speeding down Colorado Blvd in the time ticking DeLorean while Kevin Arnold and Winnie from the television show, The Wonder Years would have been right at home sharing that first kiss behind the Richard Neutra designed gymnasium at the Eagle Rock Recreation Center. Neither one of these pop culture masterpieces were filmed here so there goes my career as a film location scout.

Due to its affordability and close proximity to all things Los Angeles, many blue collar families throughout the decades have purchased their first home here in this community. Many of them have stayed and it is not uncommon to see old timers living in the same house for 30 plus years, raising a family, patronizing places such as the now defunct Eagle Theater, The All Star Bowling Lanes, Ernie's Tacos, Casa Bianca Pizzeria, The Italian Bakery and eventually going through empty nest syndrome during the golden years of retirement. Despite plummeting prices today, homes here are still out of reach for many Angelenos, but Eagle Rock gets many visitors due to its nice selection of eateries, shops and recreational activities. The annual Eagle Rock Music Festival in October, a free single day event that features local live music acts, vendors and food trucks galore attracts thousands of people each year and has helped put Eagle Rock back on the cool bohemian neighborhood map.

One thing is for sure, long before the 134 Freeway, The Eagle Rock Plaza and the old establishments that have stood the test of time and the new ones that have come and gone, the almighty Eagle with its outstretched wings etched in stone on the towering iconic rock has flown high and proud above this great old neighborhood, possibly uttering the words, “There Goes The Neighborhood” with each new wave of gentrification.

Tuesday, August 9, 2011

Downtown Los Angeles Theaters - My First Trip to the Movies.

The Pantages Theater on Hill Street and 7th in Los Angeles as it appeared in the photo album of a German man who spent June 15, 1927 walking around downtown with his brownie camera documenting the urban landscape. The movie on the marquee is the 1927 silent comedy, “Is Zat So”.


On a Summer Saturday afternoon in 1972 a bridal shower hosted by my mother was about to take place at our Spanish apartment on Kenmore Avenue in Los Angeles. Men were not allowed to be present at this sacred female ritual so my father and I had to find somewhere to go for a few hours. One by one as the middle-aged woman arrived at our front door, they waved goodbye to their male counterparts who sped away in their cars seeking out some kind of diversion for a few hours. Perhaps a walk around MacArthur Park to feed the ducks, or maybe a drink at one of the bars that lined 8th street or perhaps the topless joint on Beverly Blvd and Virgil. My Father twirled the keys to his Chevy Nova in one hand grabbed a potato chip from the spread on the dinning room table with the other, dipped it into the silver dish hosting the chip dip and whisked me away out the back door to where the Nova was parked.

We headed down Vermont Ave, made a left on Wilshire and passed Lafayette and MacArthur Parks along the way. There were teenagers playing basketball on the courts at Lafayette Park and ducks out on the MacArthur Park Lake that day while the corner of Alvarado and Wilshire was busy with weekend shoppers and shifty characters just hanging about. We headed into downtown and ultimately arrived at the historic but dilapidated Los Angeles Theater on Broadway (est. 1931).

My Dad parked the car on Broadway, paid for two tickets, a popcorn and a couple of sodas and we proceeded to enter a smokey theater with sticky floors and a massive set of curtains, for what would be the first movie I ever saw on the big screen, "Death Wish" with Charles Bronson. Of course I do realize that today a movie about a violent vigilante on the prowl in the big city would be an unorthodox choice for a nine year old especially in the highly microscopic parental world of today, but it was being with my father, just us guys, watching Charles Bronson blow away the bad guys as he lured them through the streets of 1970’s New York that made it an experience to remember. One of father and son bonding at the movies with good guys and bad guys fighting it out on celluloid. We could have gone to see something like "Chitty Chitty Bang Bang" but that was not for us, not for these two cool cats, not on this day, it had to be Charles Bronson in "Death Wish" or nothing at all.

At the end of the movie, Charles Bronson is finally caught by the sniffling detective played by Vincent Gardenia. While being transported by the detective to another city, the infamous vigilante points his hand in the shape of a gun towards a group of thugs and pretends to shoot them as the credits begin to roll. My father and I left the theater, returned home to some left over cake from the bridal shower and I was none the worst for my first experience at a movie theater. I think I turned out pretty good so far 39 years later, it's all in the parenting they say. My father fell asleep in the easy chair later on that night watching the news and I retired to my room to write down what I am writing now. Better late than never.

Tuesday, July 26, 2011

Mick Jagger turns 68 today.

1983 newspaper clipping of Mick's 40th birthday, recently uncovered in one of my books.

Mick Jagger turns 68 today. In 1983 Mick turned 40 and had always vowed that he would never sing "Satisfaction"past his four decade mark, but today he continues to belt out "Satisfaction" to sold out stadium crowds and father children with 22 year old Brazilian supermodels. Ahh....the power of Rock N' Roll. On that day in 1983 I clipped out his birthday announcement from the newspaper and stuck it in a book where I recently uncovered it. HAPPY BIRTHDAY MICK.



Monday, July 4, 2011

The Incredible Shrinking Family Photo Album

It's a Small World. A snapshot from the late 1960s that I recovered from an old dusty box at a flea market.


Ever since the Great White digital camera shark swallowed up all of our film cameras, we now take digital photographs in record numbers. Throw in the cell phone camera which virtually everyone is armed with these days and we have become a very well documented generation. If aliens landed on the most remote area of the Siberian Desert, a weary sheep herder would probably be there to snap a photo with his cell phone camera and have it posted on Facebook later on that day. He would probably make several attempts with his arm extended out as wide as possible to capture the perfect image of himself embraced with the strange creature from another galaxy. “Are you good with this one ?, can I tag you in it ?” he would ask his new friend with the long green limbs and odd shaped head.

A recent trip to Disneyland with my digital point and shoot camera netted me about 300 photos in about 10 hours (aren’t all digital cameras point and shoot?) . The freedom of having inexpensive gigabytes of storage space on my camera allowed me to take multiple photos of Main Street and Sleeping Beauty’s Castle from about every possible angle. After about an hour, I stopped thinking about time and space and stopped thinking creatively. I just pointed the camera and snapped away. We live in times of instant gratification where we retake several self portraits of ourselves until “we” look just perfect. I am just as guilty on all counts. I just looked on my portable USB hard drive where I have “backup-ed” all of my digital photos from the last five years. 800 gigabytes of memories from parties, amusement parks, girlfriends, vacations, dogs and family functions and not one of them on photo paper. I have become lazy with preserving my own documentation.

When we traveled with the point and shoot film camera, our limitations were bound to 24 or 36 exposures if we had a single roll of film, double that if we were high rollers and had two rolls. I recently came across my own personal snapshots from Disneyland excursions in the 1980s and 1990s and I can only count about 20 exposures from each trip. One roll even had the tail end of a day at Venice Beach from the previous month. Flipping through these 4x6 pieces of paper, I realized that both my trips to the Magic Kingdom were well documented with the small amount of images I exposed. Everything was accounted for. There were photos of myself and friends in front of Main Street, The Matterhorn, Toontown and at the soaking end of the Thunder Mountain roller coaster. There were photos of us eating overpriced Magic Kingdom frozen bananas, waiting in line for the submarine ride and even one of myself doing my famous monkey man walk in Tomorrowland. I counted as I snapped photos, planned accordingly and saved the last couple of shots for the Main Street Electrical Parade at the end of the day. I still have these “real” photos in my hand along with many of the Disneyland snapshots that my parents took in the 1960’s and 1970’s. Some are still in the yellowing Thrifty one hour photo envelope along with their negatives, some are in a cardboard box in the garage, others in the back of a desk drawer or carefully arranged in photo album. They are tangible pieces of family documentation and not just a string of digital 1’s and 0’s that compose an image on a computer screen. Film was always enough because we planned diligently for each exposure. Today with digital monsters, we shoot now and ask questions later and arrive home with scores and scores of digital images with only the choice ones making the marquee on Facebook and Flickr. Very few of those snapshots if any, every graduate to a cardboard photo album or picture frame on our desk.

Sadly I don’t think enough of us go through the trouble of printing our digital snapshots. We want to believe that they will always be there for us on the computer until that fateful day when the hard drive crashes instantly wiping out thousands of memories. They reside on Facebook, Flickr and icloud, multiplying like rabbits by the thousands every hour, every day, every month and every year. We blink our eyes and we have more digital images than we will ever know what to do with. Printing them would be too cumbersome at this point. Overzealous photo taking has become a hard drive or a digital storage site that is just taking on way too much water. Our thoughts are, “hey, I will dive to the bottom of the ocean and recover what I want some day.”

I often wonder what will happen to today’s digital photos 10, 20 or 50 years from now. What will the future bring to those candid photos of our graduations, family barbeques, road trips, summer sweethearts or of Larry the one-eyed family bulldog. Will someone ever look in an old dusty box at a flea market and find that fantastic image of an unknown family from another time, posing in front of the Small World attraction ? From my walker at the convalescent hospital will I ever reach to my book shelf and clutch an old photo album of my own personal memories from that Fourth of July weekend in the year 2011 ? Time will only tell.

Now if you will excuse me, I need to load up my flashdrive and head over to the one hour photo kiosk at my local pharmacy.

Sunday, June 19, 2011

Clarence Clemons Rest in Peace. Springsteen at the Los Angeles Coliseum 1985


In the mid-1980’s I was just a casual worshiper of the Church of Bruce Springsteen and The East Street Band. I merely listened to the big radio hits such as Born to Run, Dancing in the Dark, and Hungry Heart much like a non-practicing Catholic who only attends service on Christmas Day and Easter Sunday. I was still holding on to bands like X, The Blasters, The Ramones, The Who and The Clash in 1985 while the legions of Bruce Springsteen fans around me praised "The Boss" and those legendary five hour shows at The Los Angeles Sports Arena in 1981.


Like most of the events that impact us in our young lives, listening to the experience second hand is never enough, one has to experience the “light” first hand and that is what I was about to do towards the end of The Born in The USA tour in 1985. Four of my classmates from Cal Poly Pomona were planning on attending one of the sold-out Springsteen shows in September of 1985 at the Los Angeles Memorial Coliseum and my curiosity started to peak. I needed to find out what this was all about so I took the plunge of 20 dollars for the sole spare ticket that they had. We arrived early in the afternoon on the day of the show and went through the motions of tailgating and decadence in the parking like most concert goers did in that era. When the show finally began we were comfortably nestled among 100,000 worshipers at The Los Angeles Coliseum on the perfect night of September 29, 1985. The band was relentless and beautiful in their showmanship. Bruce’s stage presence was exactly as described to me during all those years of “non-believing” but there was something special up on stage besides the famous New Jersey band leader that caught my attention, a big beautiful saxophone player name Clarence “Big Man” Clemons. The saxophone solos on Born To Run, Jungle Land, The Promised Land, Rosalita and Tenth Avenue Freeze Out were like something that I had never before experienced in my life. The rockabilly band The Blasters had a Saxophone player, but with all due respect that was like a small candle compared to the Olympic Torch that Clarence was blowing. I have no words to describe it at the moment of this writing but lets just say that I was immediately “converted” to the Rock N’ Roll Church of Bruce, Clarence Clemons and the rest of the East Street Band. I went home later that evening completely different than the person who had left earlier that day. Shortly after my conversion, I discovered the 1980 double LP, The River which continues to see constant rotation on my turntable as well as the rest of the East Street Band's catalog which I had largely neglected up until that incredible night at the Coliseum. By the end of the decade, Bruce put The East Street Band on hold while he ventured into a solo career and a Hollywood marriage to Julianne Phillips. Clarence went on to a successful solo career and became a highly sought after element by other musicians including Ringo Starr, Aretha Franklin and Jackson Browne. For ten years, the millions of worshipers waited and waited in the pews of the Cathedral and finally The East Street Band was reassembled in 1999. Hallelujah !!


I had the good fortune to be able to see the reunited East Street Band in almost every Southern California venue over the years including the inaugural event at the Staples Center in 1999 as well as Dodger Stadium, The Honda Center, and those wonderful shows at the Los Angeles Sports Arena in 2007 and 2009. Over the course of those years, Clarence was hobbled with hip replacement surgery and needed a cane and a big stool to support his massive frame on stage, but the Big Man always gave it everything he had on the stage and every show was simply “Magic”. His big beautiful baritone voice was the cornerstone in the song “Out in The Streets” where every member of the band would step up to the microphone and belt out “Meet me Out in the Streets, baaaaaby”. Clarence Clemons passed away today at the age of 69. You are irreplaceable Big Man and I will never forget you. You are forever in the soundtrack of my life. Rest in Peace.

Sunday, May 15, 2011

Elvis Costello at The Wiltern Theatre - May 12, 2011

May 12, 2011 - Elvis Costello and The Imposters at The Wiltern Theatre.


June 4, 1978 - Elvis Costello and The Attractions at Hollywood High School. This is the cover of a 45 that was included with the Armed Forces LP.

I was around thirteen years old in the eighth grade attending Blessed Sacrament School two blocks east of Hollywood High School when an up and coming British musician with a iconic American name performed live at the Hollywood High Auditorium with his backing band, The Attractions. I was not in the audience that night as I must have been churning out Pre-Algebra solutions and Hemingway book reports at a record pace during that time and was oblivious to what was happening down the street on Highland Avenue. I had no idea of the significance of that Elvis Costello performance back then nor the number of people I would meet in the next thirty three years who claim to have been at that show. Fast-forward to 2011 to a perfect Los Angeles evening at the deco masterpiece, Wiltern Theatre where Elvis Costello and 2 of the 3 original Attractions plus a new bass player (now called the Imposters) performed an unpredictable epic showcase of hits, obscurities and surprising covers for 2 ½ hours. The show opened with a fast session of familiar songs including “I Hope Your Happy Now“, “Heart of The City“, “The Mystery Dance” and “Radio Radio“. At the conclusion of “Radio Radio“, a song known for its impromptu rebellion way back on a SNL performance, Elvis changed to a black top hat and introduced the largest “Attraction” on the stage, a twelve foot, multi-colored spinning wheel of songs. Elvis’ spinning song wheel first made its debut 25 years ago on his tour bringing a “request only" concert to the stage way before its time. Audience members were hand picked by Elvis and his assistant to spin the wheel and the band performed each song with utmost precision, while only Elvis’ guitar changed to accommodate each song. The selected audience members danced on stage during their song(s), with one memorable “wheel spinner”, a stunning beauty named “Bjork” daring to enter the Go-Go booth up on the stage during the song performed from her spin of the wheel. She almost seemed planted to perform in the Go-Go booth as her hips swayed to the beat of the music while her long hair waved about the cage, but she was just an adoring fan like the rest of us. The wheel produced some songs that probably wouldn’t make it to a regular Elvis show such as “Monkey to Man“, “God Give Me Strength“, “I Want You” and “Earthbound” but the band was committed to each of the songs selected with just a little fudging along the way. Somehow the one song which I wanted to hear the most, “Clubland” from the 1981 album, "Trust", hit the mark on a slow pitched wheel spin and the song immediately commenced with the brilliant piano work by the incredible Steve Naive. Among the hits performed from the song wheel spins were “Watching The Detectives” and “Everyday I Write the Book“, “Angels Want to Wear My Red Shoes” and “Tear Off Your own Head ( It’s The Doll Revolution)”. Elvis brought out Susanna Hoffs, Vicki and Debbie Peterson from The Bangles to perform the vocals on “Doll Revolution” much like they did at The Beverly Theater show in 1986. Susanna Hoffs must have been in a time machine for the last 25 years because she looks much as she did during her Walk Like An Egyptian Days. Other surprises included several covers such as “Girl” (The Beatles), “Out of Time” (The Stones), “Don’t Let me Be Misunderstood” (The Animals) and a surprise encore of “Purple Rain” (Prince) all performed with unique Elvis interpretations. Another interesting rendition came with a slowed down and almost unrecognizable version of “Pump It Up” with Elvis hitting the ivory keys on his mega famous radio hit.

The four encores were a show within itself. Among the highlights was the song that started it all for Elvis back in 1977, “Alison“. For the encore, Elvis called back one of the audience wheel spinners who was aptly named Alison , in a moment in time she will remember for eternity. In the midst of “Alison“, Elvis switched over to “Tracks of My Tears” by Smokey Robinson and then beautifully finished his song with every member of the audience singing those soft lyrics, “Aaaaalison…..my aim is true, my aim is true…..”, while the chords quietly came to that famous lyrical end. The final encore couldn’t have been more perfect for this night given the times we live in today , “(What’s So Funny ‘bout) Peace, Love and Understanding” simply could not be followed with drummer Pete Thomas pounding the skins, Elvis wailing on the guitar with the all too familiar riff and the audience in complete euphoria. Thirty three years from now wherever I am or "if" I am at all, I can say I was in the audience for that unforgettable Elvis Costello performance at The Wiltern Theatre way back in the Spring of 2011.

Thursday, May 5, 2011

The Los Angeles Skyline, Build it and they will come.

From my family photo album, The Los Angeles Skyline - 1970. From L to R, The Pacbell Tower, est. 1961, The 611 Building, est 1967, my cousin Gio, est. 1950 and The Union Bank Plaza, est. 1968.


The Los Angeles Skyline as seen from The Pershing Square Ice Skating Rink - January 2011. The PacBell Tower does not look as lonely today as it did in 1970. Photo on black and white film by El Niño Angeleno


Compared to its big brothers on the East Coast, Los Angeles is but a teenager, barely sprouting its skinny legs in the roomy interior of an old Pontiac sedan and learning how to drive shortly after the end of WWII. Downtown Los Angeles has gone through a bit of a face lift over the last 50 years or so. Change that brought street level parking lot madness in the 1950s and that transformed Bunker Hill from Victorian homes to steel skyscrapers in the 1960s, change that brought a unique post-modern building called The Bonaventure in the 1970’s and that brought urban blight in the 1980s, change that finally brought a subway system in the 1990s and that brought a series of revitalization projects in the 2000s. The US Bank Tower, The Staples Center, LA Live, The Nokia Theatre, The Disney Concert Hall and The Cathedral of Our Lady of The Angels are among the many projects that have sprouted up in the last 20 years. I must have blinked for a moment in the late 1980s as I got on the 110 freeway North at 4th Street and a short moment later glanced back in the rear view mirror, only to see all of these projects completed and in full swing. I must have been stuck in traffic longer than I thought.

The Los Angeles skyline is still growing thicker and fuller like a rockabilly pompadour reaching for the sky. The arteries of its public transportation rail system continue to expand every year, hopefully some day reaching every corner of the region including the big beautiful blue eyes of the Pacific Ocean. (Hey, I had to take a 2 hour bus ride from Silver Lake to Santa Monica when I was a teenager.) The result of an adaptive reuse ordinance set forth in 1999, many of the old historic buildings that sat vacant for decades were converted over to residential lofts, thus bringing back the urban dwellers that left downtown and surrounding neighborhoods decades ago as part of suburban flight.

I don’t claim to know everything about Los Angeles, in fact I know very little. I can’t recall the exact moment in 1966 as a three year old Angeleno that I stood with my older brother at the DWP building to pose for a family snapshot (the cover photo of this blog). City Hall is showcased in the background of that photo and that 1928 icon is just like another member of the family looking for face-time in the family photo album. My earliest memory of Downtown Los Angeles is simple yet beautiful; riding The Angels Flight Railroad in my father’s arms shortly before it closed in 1969. Angels Flight returned last year and Downtown Los Angeles continues to amaze me. (For a great look at Downtown Los Angeles and Bunker Hill check out Ken MacKenzie’s 1961 film, The Exiles.)


Build it and they will come. Population in the City of Los Angeles:

Year Census Population
1910 319,198
1920 576,673
1930 1,238,048
1940 1,504,277
1950 1,970,358
1960 2,479,015
1970 2,811,801
1980 2,968,579
1990 3,485,398
2000 3,694,820
2010 3,792,621


Thursday, April 28, 2011

Gone Googie Gone.....The Atomic Coffee Shop

Eldon Davis, the father of midcentury modern coffee shop architecture passed away this week at age 94. A graduate of USC, his architectural firm is responsible for over 4000 coffee shops, many of them here in sunny California. Among the Armet-Davis "Googie" designs were The Norms Coffee Shop on La Cienega built in 1957, prototypes for Bob’s Big Boy and Denny‘s, Johnnie's on Wilshire Blvd and the Pann’s Coffee Shop in Westchester which is still in operation today. Many of these space age coffee shops have seen the wrecking ball or have had a bad 1980's makeover such as this abandoned Goody's Coffee Shop in San Gabriel.

Googie Architecture is a form of futuristic atomic architecture that originated in Southern California in the early 1940s. Although biased with restaurants and coffee shops and spurred by California car culture, its style can be seen in many other forms including motels, bowling alleys, liquor stores, car washes and casinos.

For an interesting read on Googie Architecture pick up a copy of GOOGIE REDUX by Alan Hess. The Goody's Coffee Shop in these photos appears on page 14.




Monday, April 25, 2011

Blessing of The Animals, Olvera Street - 2011






















On Saturday April 23, Olvera Street in the Pueblo of Los Angeles hosted the 81st annual Blessing of the Animals. A sacred ritual for Angelenos and their four legged friends, the event is not only spiritual but also a place for all pet owners and caretakers to come together and share the passion and love they have for their trusty companions. Council members Labonge and Hahn were on hand as they are every year while holy water duties were taken over by Archbishop Gomez this year, who was handed over the aspergil (the Holy Water Sprinkler) from Cardinal Mahony.

This year's event showcased many breeds of dogs along with a few cats, horses, snakes, lizards, parakeets, a pig and a couple of roosters. Most notable was Murray the albino snake who is the cornerstone of the event year after year, Daisy the Pig who was constantly on the other end of the camera all day and “Fish” the Rooster who wanted a little bit of that Holy Water to keep him cool.

Enjoy the Blessing of The Animals - 2011.

Wednesday, April 6, 2011

The Egyptian Theatre and The Film Noir Festival

A found snapshot of a WWII soldier on leave at The Egyptian Theatre in Hollywood on Feburary 28, 1943.
The back of the photo reads “I am in the chariot that Eddie Cantor used in Roman Scandal”

Currently the American Cinematheque is hosting the 13th annual Film Noir Festival at the Egyptian Theatre in Hollywood. The festival runs from April 1 through April 20 and its your only chance to see lost and recently restored 1940’s noir films that will probably never make it to your Netflix queue, simply because they are not available for home media.

Built in 1922 by the ever so ambitious Mr. Sid Grauman. The Egyptian Theatre was a real head turner, a modern day Norma Desmond that fell into despair in the 1980’s. Sid Grauman went on to build other famous landmark theatres such as the El Capitan, The Chinese Theater and the decadent Million Dollar Theatre in downtown. The Hollywood and Highland intersection has gone through a lot of change in the past 25 years with the Red Line Subway, the Hollywood Highland complex, the Kodak Theatre and the subsequent revival of the El Capitan and Egyptian Theatres. The American Cinematheque purchased the property from the City of Los Angeles for one dollar and restored it to a leading lady once again in 1998.

I experienced a few memorable moments amongst the hieroglyphics at The Egyptian Theatre in the 1970s and 1980s. Fire Chief Steve McQueen battling The Towering Inferno in the movie of the same name, Captain Leslie Nielsen navigating the S.S. Poseidon in route to a collision course with disaster in The Poseidon Adventure, Paul Newman and Joanna Woodward floating to the top of the hydrotherapy room in the Drowning Pool and of course the robot cowboy Yul Bryner drawing his gun in defense in the futuristic thriller, West World. The last movie I ever saw there before the American Cinematheque restoration was something called “Friday The 13th - The Final Chapter“. As we all know there was nothing final about Friday The 13th as Jason continued the body count well into the year 2009.

Venturing into Hollywood and Highland in the 1970s and 1980s carried a bit of an edge to it, an impending danger that loomed around every dark and seedy corner. Charles Bronson tracked down one of his assailants in Death Wish II through Hollywood and Highland and gunned him down at the abandoned Garden Court Apartments where the Knitting Factory now sits (I think). Today, Hollywood and Highland is a busy tourist destination patrolled by multiple Captain Jack Sparrows. It is cleaner, safer, brighter and a destination made easy by the Red Line subway. Change is good.

Don’t miss the Film Noir Festival happening right now at The Egyptian Theatre on Hollywood Boulevard.




Wednesday, February 23, 2011

This way to elect Tom LaBonge for City Council..

photo courtesy of El Niño Angeleno’s iphone

No one knows Los Angeles better than Tom LaBonge.
No one loves Los Angeles more than Tom LaBonge.
No one cares more about Los Angeles than Tom LaBonge.

Elect Tom LaBonge for City Council.
A great choice, a great Angeleno and a fellow John Marshall HS Alumni.


Monday, February 7, 2011

The Magic Kingdom - Griffith Park Style

From an abandoned photo album, a tiny cowboy in front of the Griffith Park Railroad - 1955

We are lucky here on the so called “east side” to have an amusement park with many magical attractions. With the Observatory, the LA Zoo, a vintage carousel with a band organ , miniature trains rides, pony rides, a train museum, Travel Town, The Gene Autry Museum, the old zoo picnic grounds, bike trails, the Greek Theatre and hiking trails galore, who needs to travel down to Anaheim and pay $90 dollars to wait in line all day.

Take the family to Griffith Park and jump on the miniature Griffith Park Railroad, taking little Angelenos around the park since 1948.




Sunday, January 23, 2011

The 1984 Summer Olympic Games

From an anonymous tourist's photo album of snapshots of the 1984 Los Angeles Summer Olympics

There is a scene from the critically acclaimed HBO series, Six Feet Under where the two Fisher Brothers, Nate and David are sunbathing in front of the Fisher and Sons Funeral Home in the West Adams district of Los Angeles wondering when a dead body will arrive for services as it has been several days since they've hosted a funeral. Nate asks David, “What’s the longest we've ever gone without a body?” David replies, “Dad (Nathaniel Fisher Sr) once said we went 16 days without a body, it was during the 1984 Los Angeles Olympics.” The Fisher Funeral home patriarch, Nathaniel Fisher Sr was killed in a car accident in the pilot episode of the series, but always appeared as the chain-smoking condescending apparition throughout the five seasons of this extraordinary series about a dysfunctional family funeral home in contemporary 2000 Los Angeles.

When the 1984 Summer Olympics were awarded to Los Angeles, critics said we couldn't do it. There will be massive gridlock on our freeways and streets in what will become a city standing still in their gas guzzling metal coffins. Peter Ueberroth and the City of Los Angeles pulled it off in extraordinary form in what was a remarkable display of great planning, great leadership and absolute harmony. Sure, the communist bloc countries tried to throw an “F You” at us by boycotting our Olympics as we did their’s in the 1980 Moscow Games, but our response was “Hey, we’re having a party over here, we have several kegs of Heineken Beer in the backyard, a BBQ with all the fixings, Van Halen will be playing over by the garage and we are going to rock the neighborhood, we would love to have you over”. With the exception of Romania, the Eastern Bloc countries were no-shows, but the games went on as planned proving that no one is bigger than the event itself.

During those glorious 16 days of the 1984 Los Angeles Summer Games, Los Angeles was in complete harmony. Incidents such as drive by shootings, gang violence, road rage, high school shootings, riots, Bell City scandals, live police pursuits on TV, city hall scandals, MacArthur Park Mêlées, armed bank robberies and circus like courtroom trials simply did not exist or were never headline news.

It was an incredible time to live, work and play in Los Angeles. Just ask Randy Newman.

Friday, January 14, 2011

Fire Escape - An Echo Park Love Story 1947


From the lost photo album of "Alice", Echo Park Los Angeles 1947

Fire Escape - An Echo Park Love Story

a short story by El Niño Angeleno

Alice has recently arrived from Davenport Iowa and has taken up residence at a quirky apartment building on Sunset and Alvarado in Echo Park. She catches the #42 bus each morning to her job at the Three Wishes Coffee Shop located on Main Street in downtown Los Angeles, sharing the short ride everyday with the same poker-faced crowd heading into the theatre district. The nineteen year old girl from the Midwest boards the bus and walks down the working man‘s red carpet as every passenger has their face deep into the Los Angeles Examiner. The Black Dahlia case is splattered across the front page this morning. She is running late and takes a window seat at the back of the bus while gazing at her shoes wondering if they will get her through the day. Arriving at the ‘Wishes’ as the locals call it, she pushes through the swinging doors, heads to the dressing area and returns to the dinning room as the Alice the waitress. The audience of hungry patrons applauds her grand entrance.

“What will it be today Mac ?” she asks the dark-eyed man wearing a brown fedora hat and a gabardine buckle back jacket. He arrives every morning at 8am and sits at the same corner table by the window. His shirt and pants change every day but his fedora hat and the leather camera case around his neck remain consistent day to day. Today, a light but steady rain is rattling the windows of the coffee shop. “Eggs, sunnyside, toast and black coffee,” he says to her as he shakes his hat off from the rain and lays down his camera on the well aged maple table. “Somehow the word ‘Mac’ does not seem right coming from you. My name is Hal, originally from Schenectady, New York,“ he says. Alice seems a bit embarrassed and avoids eye contact as she jots down his order and quickly takes it to the grill.

Over the course of several weeks Alice the waitress and Hal the customer exchange the same coffee shop dialogue as if they were rehearsing a scene from a low budget movie. She quickly begins to show interest in the older man and eventually shares her last name, her age and her ambitions with him as he politely inquires about the pretty brunette. She slaps down the plate of eggs in front of him and asks, “What’s the camera for ?” With an ear to ear grin on his face he replies, “It’s kinda an extension of my hand, I take photographs of pretty women and ancient pyramids and since Los Angeles is devoid of any pyramids, then care to say ‘cheese’ for me one day?” Alice is flattered and returns a smile, briefly forgetting her role as the waitress at the Three Wishes Coffee Shop. Her daydream is interrupted by a quick and abrupt buzzer at the grill. “Order Up!” yells Sammy, an ex-boxer and now the full time cook and owner of the coffee shop. Sammy is legally blind in one eye and his eggs usually arrive at the counter a little runny while the coffee shop’s books he attempts to balance always seem to be in the red. His previous grill man had turned up dead under suspicious circumstances in a tenement building on Figueroa. Alice rushes to the counter to pick up an order for a group of hungry young men sitting at another table. One of the young men with an anchor tattoo on his arm whistles at her as the others burst into laughter. From across the dinning area, Hal seems annoyed.

After months of delivering eggs and black coffee to Hal, she finally agrees to meet the man from “Schenectady, New York” at the Echo Park Lake after her morning shift. She stops by her apartment to change her shoes and fix up her hair. As she is locking the door to her room, Florentina her neighbor from down the hall approaches her. An attractive Hispanic woman, and an aspiring starlet from Del Rio, Texas, she has been acting as a surrogate mother to Alice since her arrival to Echo Park. Much to Alice’s displeasure, Florentina is a little overbearing while trying to protect her from the sins of the city.

“Where ya’ rushing off to Alice?” asks Florentina.
Alice fumbles to find the key to lock the door.
“I thought we were going to a matinee at the Million Dollar today?” Florentina adds.
Alice looks up from the doorknob she is focusing on.
“I got a date over at the Lake, a charming man with a great big smile!” replies Alice.
“ Wouldn't you know it, standing me up for a man,” says Florentina as she squints her eyes a bit in displeasure.
Alice pauses slightly and says, “Oh, we’ll go the movies another day Flora.”
“Be careful out there, there is a killer loose in the city or don’t you read the papers?” says Florentina, throwing her voice towards Alice as she rushes down the staircase and out the building.

Alice heads down Alvarado and turns on Clinton street. She reaches the end of the street where the concrete staircase that leads down to Glendale Blvd is located. Slowly she makes her way down the steps like a nervous beauty pageant queen on her way to the microphone. From across the Lake, Hal is sitting on a bench and recognizes Alice descending down the steps. He walks around the lake and greets her with his now familiar three mile smile.

“Good afternoon, I was not sure you would make it,” says Hal.
“My Neighbor Flora, kept me gabbing at my apartment,” says Alice.
Hal throws his right arm around Alice as his other arm is dangling his camera at the hip. They start to walk around the lake and towards the boathouse.
“How about a boat ride around the lake?” asks Hal.
Alice nervously pauses. “But the water is cold,” she says.
He stops walking and turns to face her. With his index finger he pokes the brim of his fedora hat up slightly, grins and says, “What if I promise you this won’t be like the Titanic, I think I can navigate these waters pretty well.”

Their harmonious laughter echoes across the lake where an old Chinese man on a park bench lifts his head up from a nap he was deeply submerged in. They board a rowboat and proceed to row around the lake sharing a conversation that no one can hear. Only laughter can be heard as Alice is clearly enchanted by the man with the three mile smile and the fedora hat. Hal suddenly stops rowing and holds his camera up to his eye, snapping a photo of the pretty brunette as she squints her eyes into the mid-day sun. “I was certainly not ready for that,” she says. He remains silent and puts down the camera while moving closer to Alice as the boat begins to drift around the lake. As he presses his body up against hers, he takes off his hat with his right hand, holds the back of her neck with his left and kisses Alice in what seems to be a scene from an ill-rehearsed movie. As the kiss slowly ends and their lips become unlocked, Alice says in a playful tone, “Nor was I ready for that!” He suddenly retreats back to the other side of the boat and says, “We should return the boat now, it’s getting late in the afternoon.” Alice seems a bit taken back by his reaction.

He offers to walk her back to her apartment. They walk slowly and continue a conversation mostly about Alice and her acting ambitions while the stranger reveals very little about himself and remains aloof. They arrive at the bricks steps in front of the apartment building where there is an awkward moment of silence. “Well, I will see you tomorrow, two eggs sunnyside,” he nervously says. Alice seems disappointed that their date as come to an end and says, “Out on the lake today, that was nice, can we do it again?.” Hal pauses for a moment and shifts his eyes away from hers and looks up at the fire escape of the building as he replies, “Yes, of course.“ He promptly tips his hat to Alice revealing the sweat on his brow. He turns around and walks down the steps and onto the street, camera dangling from his hand. Alice rushes up the stairs and from the second story window she can see him walking off into the distance, disappearing onto the busy sidewalk traffic.

The next morning Hal is strangely absent from the corner table at the Three Wishes. His continued absence day after day is a new role that is reprised for the remainder of Alice’s role as the morning shift waitress at the Wishes. For weeks, Alice glances at the corner table looking for Hal as she delivers plate after plate of steak and eggs, corn beef hash, and sunnyside eggs to a hungry ensemble of downtown office workers, salesman and drifters, but the man with the three mile smile and the fedora hat never returns to his familiar seat by the window.

“Alice, you got a letter!” yells Florentina from the bottom of the staircase of the apartment building on Alvarado. Alice emerges from her quarters and walks down the stairs in her bathrobe, her hair is slightly disheveled. A letter with a post mark from Los Angeles but devoid of any return address has arrived for her. She flips the envelope to the back and rips it open with a long fingernail. From the envelope a stray photo falls out and lands at her feet. She immediately recognizes the photo of herself that Hal had taken out on the lake several weeks ago. Her face begins to glow and her heart is beating as she kneels down to retrieve it from the ground. She flips the photo to the backside to reveal an inscription. Her voice is traveling faster than her brain as she reads it out loud, “Gone Fishing.”
“What was that Hon?” asks Florentina while keeping her eyes on a stack of mail she is flipping through. Alice remains catatonic for a few seconds and does not answer. She puts the envelope in her robe’s side pocket and climbs back up staircase disappearing into the darkness of the hallway. The echo of the door slamming rattles the building and the earth it sits on.

Copyright © 2011 El Niño Angeleno